KING CHARLES III

MOVEMENT & CHOREOGRAPHY

As a movement director and theatre choreographer Anna has worked at The National, the West End, the RSC, the Royal Opera House, the Old Vic, the Young Vic and many of the UK’s major regional houses and worked with a broad range of artists including singers, dancers, young people, members of the community and large scale public artworks.

Theatre Credits Include Translations (National Theatre), Emilia (Shakespeare’s Globe, West End, Olivier Nominated Best Comedy Production), ANNA (National Theatre), Imperium (West End, RSC), Swive (Shakespeare’s Globe), Queen Anne (West End), Richard III, (Almeida Theatre), Charles III (West End, Almeida Theatre, UK tour, Broadway), The World of Extreme Happiness (National Theatre), Wings, My Dad’s A Birdman (The Young Vic), The Absence of War, Restoration (Headlong Theatre), The Winter’s Tale, Pericles, Antony and Cleopatra, Marat/Sade, Dunsinane, The Grain Store, The Drunks, Timon of Athens, The Cordelia Dream, Tragedy of Thomas Hobbes, I’ll be the Devil, (RSC), Dick Whittington (Theatre Royal Stratford East), Ages, Rise (Old Vic), What Shadows, Christmas Carol, Circles, (Birmingham Rep), Boeing Boeing (Sheffield Crucible) London 2012 Olympic Opening Ceremony, Comedy of Errors (Manchester Theatre Royal), Caledonia (National Theatre of Scotland), The Crucible, My Generation, (West Yorkshire Playhouse), Soul, 101 Dalmatians (Northampton Theatre Royal), The Giant (RSC/Thelma Holt), Bus Stop (New Vic).


Opera credits include: The Turn of the Screw (Royal Opera House), Swanhunter (ROH, Opera North), Macbeth (NI Opera / WNO), Sweeney Todd (WNO - revival), Salome,The Flying Dutchman, Noye’s Fludde (NI Opera), Rusalka (Finnish National Opera - revival), Orpheus in the Underworld (Young Vic, Scottish Opera), L’elixir d’amour, Manon Lescaut, The Barber of Seville, (Opera Holland Park), Hansel and Gretel (Opera North), The Magic Flute, Rigoletto (Nevill Holt Opera).

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